The Project

EMME YA is the in deep exploration of Edgar Kerval in the fields of sonic mutations and hybrid soundscapes emerging from astral atavisms experimented time ago... EMME YA is a black planet with two suns (256=11x23 E.Q) in the sirius binary such planet resides mostly of loas ,spirits from Atlantean tradition and extraterrestrial emanations surrounding the aura of planet earth. EMME YA is an experimental organism growing and mutating all the time,so finally our debut album will be out this year through the British label COLD SPRING recs. "Atavistic Dreams And Phallic Totems" will be out soon. so keep on contact for more informations. also our participation in QUARTIER 23 compilations cd "The Pentagram","Sex magick",and other free downloadable compilations are upcoming advances of what people could expect through our albums. Also the final release of "Beyond The Secret Flame"(Aiwass Manifesto) Through The Mercurius Collective is out now!!!. an abstract vacuity and magickal paradigms transmitted through the Ritual Mantras generated by EMME YA!!!


The main influences are the ancient mystical cultures,as atlantis,sumerian gods,voodo pantheon,atavisms,and diverse abstract forms which reflects into our mind,more than the perceived reality hidden in ancient stellar wisdom. such vast forms are channels of perceptions which I focus through EMME YA. the transmissions appeared to my mind in a mutating way,showing me tha path to follow...a dark path beyond the stars!!!!
For more info :

sábado, 15 de octubre de 2011

EMME YA "The Conjuration Ov The Red Goddess" 3rd Album OUT NOW

"The Conjuration Ov The Red Goddess" 
3rd album OUT NOW (October 31th) 2011
(Archon Visions)

The Third album,"Th Conjuration Ov The Red Goddess" is an exploration of current sexual of babalon-kali-lilith as sole force. exploring through the use of sperm and blood diverse  devotional prayers,mantras and masturbatory visualizations ,to connect,awaken in myself the whole potential latent in such femenine magickal currents!!! The Album will be out on 31th October via Colombian Label Archon Visions!! 55 minutes of  Ritual Ambient experimentations. Th album is created to awaken the femenine energies latent in each one of us,the album was based on experiences on works  of Jack Parsons and Aleister Crowley,!!!!! 

I-Naked In Radiant Darkneess(The birth Of Babalon) 8:56
II-Sacrament of the Red serpent (part I) 8:32
III-Descending Through The Red Ocean(Beyond Nothingness) 13:39
IV-sperm Gnosis(Consecration rite) 13:06
V-Sacrament Of The Red Serpent (part II) 10:55

domingo, 4 de septiembre de 2011

Reviews "Atavistic Dreams And Phallic Totems "cd

"Atavistic Dreams & Phallic Totem" is based on the mysterious African Dogon incident and their secret oral tradition.
It became known that ethnic group, two researchers in 1930, the assumption represented that precisely that people possessed astronomical knowledge about the Sirius star, which however can be also detected only in accordance with modern methods (the Dogon told third way, even by a star in the system with called Emme Ya, now Sirius C).
The true knowledge about it is certainly mysterious, but probably speculative, and who wants to delve into this profound story in more detail that is allowed to be happy and well read. Once that's settled, we come to the real aspect of the music.

The experimental "The Distant Black Sun" granted at the beginning but not really easy start, what changes in the following presentation, however. Spooky run through the whispered voice objections Klanggut, because the steaming mists entkriecht as seemingly the ground and his threat to be equal to the subsequent "by Vas nefandum" pass.
Once again, holds the fourth scoring passages which sound fits in very nicely into Emme Ya whispered.
The setting is convincing, it then with the final "pre-Eval Atavism" in which harmonizes a dull, worn with the rhythm very atmospheric soundscape. The musical work is left by a mysterious and slightly threatening feeling to awaken without this but with warm inspirations.

Musically, the music remains true to this law, that is, ritually-prone Dark Ambient is the one who wants to be explored only once in all of its niches.
The easy way out, the artist has never even gone with Emme Ya, which requires something Einhörvermögen accordingly, it is of course more interesting. The stimulus emanates from this work shows his face so only after several meetings, but represents the expectations of the appropriate audience satisfied.

With "Atavistic Dreams & Phallic totems" of the musicians seem to have found his path and his destiny, but that Silberling is also the best for me so far works by Emme Ya. Ritual for friends afflicted, astral sounds this publication is ultimately an unquestionably good choice.

In the 30 years studied, the anthropologist Marcel Griaule and Germaine Dieterlen the Dogon tribe of Africa. They should have found out that the Dogon possessed advanced astronomical knowledge. So they should already have had a knowledge of the star Sirius B, and another companion of Sirius, which was only discovered in the seventies with modern telescopes, without any instruments himself possessed. The Dogon are supposed to have said that they had with extraterrestrials from the Sirius system have been in contact. These research results from Griaule, however, could not be confirmed by other scientists.

Meanwhile, also turned out that the information was based on methodologically flawed surveys and the results were astronomically over Sirius in the form can not be confirmed. Yet this story has become a modern myth, the album is dedicated to the present.

As a listener can launch into a ritual journey, the one match-up between Africa and the cosmos and waver. The ritual sounds convey the feeling as if you were to look at tribal occult incantations, always under the threat, and discovered to be sacrificed. The incantations in a language not understandable to do the rest of her album and in the course of a gong will sound again and again, distorted chorale is heard, the sounds of flames along with the distorted cries of people that one can get an idea of ​​what's happening .

Very cleverly played with the imagination of the listener: you do not know what's coming, but the fear of what might come before is what really bad. Speaking to the Emme Ya, the album by going to create tension - it all seems to only be the calm before the storm.

Sometime you feel before the greatness of the universe and the seemingly gigantic small and insignificant. Who H.P. Lovecraft's stories knows, is now even better able to anticipate how must have felt most of the protagonists in his stories. A fantastic album - definitely one of the best Dark Ambient / Ritual albums this year.
Behind the project Emme Ya you find columbian artist Edgar Kerval. Present album titled "Atavistic dreams & phallic totems" moves in territories of ritual music and dark ambient, not too far away from early Coil or early Lustmord. The album is a tribute to the mysterious african dogon tribe and their secret oral tradition. The music on the album is deep and intense ritual ambient music. Listen in a dark room!

jueves, 18 de agosto de 2011

EMME YA /POSTHUMAN TANTRA "Vortex Ov The Primal Cell" Split cd 2011

"Vortex Ov The Primal Cell" (OUT NOW)
Split cd 2011

The enigmatic ritualistic transformation continues,exploring the path,the vacuity has been experienced through this infamous union of two south American spirits bringing,diverse elements,which converged in "Vortex Of The Primal Cell" a subterranean living structure,an atavistic resurgence from the most in deep forms of life in human subconsious. Always trying to mutate into something more,we opened this vortex of inner cells to you to explore and experience the alchemical trascendence to Transyuggothian nature!!!
A collaborative release between POSTHUMAN TANTRA from Brazil and EMME YA Colombia,bringing you 7 ritualistic structures,full of dinamism and vaporous obscure mantras...

Track List
1-Transmutation Ov The Primal Cell (Emme Ya)

2-Pineal ritual (Posthuman Tantra)

3-Self-Devouring Quintessence (Emme Ya)

4-The Black Cyclop Eye (Posthuman Tantra)

5-Descending Through 11Th Sphere" (Emme Ya)

6-The Transhuman Kali's Arms Embrasing Mankind (Posthuman Tantra)

7-Absolute Transnature (Emme Ya & Posthuman Tantra)
For more info


domingo, 15 de mayo de 2011

"Atavistic Dreams And Phallic Totems"" Album OUT NOW!!!!!!!!!!

"Atavistic Dreams And Phallic Totems" Cd
CSR127CD (out now)

40 minutes of dense astral emanations and magickal paradigms transmitted through the ritual mantras generated by Emme Ya.

Emme Ya’s ‘Atavistic Dreams & Phallic Totems’ is based on the mysterious African Dogon tribe and their secret oral tradition. In the 1930s two anthropologists gained their trust enough to be told these remarkable secrets.

The Dogon seemed to possess advanced astronomical knowledge beyond their means, without any instruments. They revealed that the star Sirius was orbited by the ‘smallest and heaviest of all stars’ and drew its elliptical orbit, which spans 50 years. This white dwarf (Sirius B) is so invisible that the first image was only obtained by scientists in 1970. But the Dogon also told of a third star in the system named Emme Ya (now Sirius C). This was only discovered in 1995 and only with the use of advanced infrared imaging.

The Dogon say that their information was given to their ancestors through contact with beings from the star system of Sirius, calling these beings Nommos or ‘the monitors of the universe’.

Track listing:

1. The Distant Black Sun
2. The Backward Paths
3. Per Vas Nefandum
4. Translucid Dreaming (Phallic Scarlet Totems)
5. Pre-Eval Atavisms (Gods Ov Shadows)

more info and order

martes, 22 de marzo de 2011


This time we announce the release of this split Cd,via Russian Record Label Nihil Art Recs.having EMME YA and the participation of Luis Gabriel from the Italian LUNA DOPA,penetrating sences and human vacuity though suggestive ritualistic transmutations.The EMME YA´s part is called "Apotheosis Psychoerotica",and trascends the sexual paradigms from elder times,passing through astral sabbaths and converging in ritual structures!!!!

"The Hidden Walker"
1-The Absence  6:15
2-The Ninth Walker  7:41
3-The First shadow Over Myself 7:50
4-Stellarum  5:26

"Apotheosis Psychoerotica"
1-Astral Nekrophilia  5:03
2-Gate Ov Dreams (Labyrinth 71) 5:37
3-The Dance Of Kali Ma 6:10
4-Qoph Vel Hekate 6:32

Total Time : 50:14

miércoles, 9 de marzo de 2011

Reviews "Beyond The Secret Flame(The Aiwass Manifesto)" Digifile 2010

"Beyond The Secret Flame"(The Aiwass Manifesto) digifile 2010

Emme Ya is quite evidently a deep well of thelemic references. Occult in every meaning of the word. In a way the music can be compared to walking in a vast and well lit complex of marble hallways, scattered with symbols, statuary and sacred geometry. Everything is a representation of something else, and that again represents something different - as it should be.

From the very beginning I get the distinct feeling that this music reminds me of something, but I have no idea what. I've never heard anything like it. It's hallucinogenic, ritualistic, entrancing, unsettling and suggestive to the point of being hypnotic. My only guess is that it's triggered some deeply buried memories of something I've experienced under self hypnosis or a strange genetic memory. The music feels like home, but a home I've never been to before. The first track makes me feel like I'm lying under an endless carpet of stars, which is perfect for Nuit – and a pretty stark contrast to staring at the nuclear furnace that is Hadit (track 2) and even more so the scorching rays of Heru-Ra Ha (track 3).

Writing a review that explains both the type of music and the contents of that music is next to impossible. Gone are the dark drones and distorted soundscapes we usually think of when we hear the words "dark ambient", and in their place we have something that sounds like a blend of the Psychick Warriors ov Gaia and the trippier moments Pink Floyd, coming down after an unwitting experiment with "brown acid" and then a smattering of Etant Donnes. It's dark and primitive, but still manages to feel safe and warm in some strange way. Images of flames and shadows against a cave wall comes to mind, and the various rythmic implements used on the album underscores this feeling perfectly.

I do wish the voices were more audible however. While the muffled quality adds to the dream like atmosphere I feel that being able to make out more of the lyrics would benefit the listening experience. What little I can make out sounds like fragments from the Book of the Law, whose structures this release also mimics.

"Beyond The Secret Flame"(The Aiwass Manifesto) digifile 2010
Emme Ya is a project from Columbia. The music goes into an experimental, ambient side and “Beyond The Secret Flame” is the latest release from this project.
When listening to Emme Ya, you have to be prepared to get yourself transferred into a story. Do not expect an easy listening, because you would feel betrayed from that soon enough. At first the music seems so calm, vocals telling the story, but there is something deeper at it. It would a waste to spoil the adventure of figuring out. During this three track release, which goes over 45 minutes, you get to hear some light music around it. Different instruments, a bit doom, sometimes it gets quite intimidating but never turns into a horror story. It is quite calm and perhaps it could have gone more intense at some points but it is not disturbing in the way it is. Maybe these 45 minutes are bit long for such calm music, a bit more variation could have spiced up a bit, which would attract a wider audience.
Most remarkable track in this release is the last one “The Throne Ov Poer (The Mask Ov Heru-Ra-Ha) for its dark start. Overall the release to be made for a select group of elite listeners. It ain’t up for everyone to keep their attention with this music for that long, but for those who do like to go experimental, find some joy in listening it.

"Beyond The Secret Flame" (The Aiwass Manifesto) digifile 2010

From Colombia reached me these days, Emme Ya, a counting ritual ambient project, the influence of the ancient mystical cultures such as Atlantis, Sumerian gods, Voodoo Pantheon, atavism and other abstract forms. Sounds very interesting, let's see ...
Behind Emme Ya, a black planet with two suns, acts Kerval Edgar, who claims to be here rages in the fields of sound mutations and hybrid soundscapes.
The first sounds of "The Secret Flame" suggest an album in the direction of Dark Ambient. Seems to limit itself, but not the cause of Edgar Kerval to be, that can be incorporated but also ritualistic inspirations. The basic picture remains quite gloomy but with nature and a muffled voice in the dim atmosphere. The thereby introduced sounds let the listeners sometimes thought to believe that somewhere in the background as a beast moves in circles. So the atmosphere has a bit part. But the two remaining pieces of "The Coiled Cerpent" and "The Throne Of Power" go a similar direction, the ritual aspect but ultimately dominates without question.
The plays are only started once, changes in those self not really much. Rather, it seems, was here not to be underestimated value placed on the textual, and I unfortunately can not so really address the issue. Nevertheless, it should be noted that this is a journey to the inner consciousness of the nothingness and plays Aleister Crowley's 'Book Of The Law' is a role.
"Beyond The Secret Flame" has become an attractive plant and is probably mainly be of interest to friends of ritual sound arts. Nevertheless, the musician, not stingy especially with such long shows, with a change to prevent any possible monotony. Whether the homogeneous language performance suits but each, I venture to doubt strongly that one would have to perform variable. Otherwise, not bad, let's see what is revealed in the near future at Cold Spring published work.

"Beyond The Secret Flame" (The Aiwass Manifesto) digifile 2010
I've heard Emme Ya on a couple of compilations, such as The Pentagram and Sex Magick by the label Quartier23, but this is the first time I've heard an actual full release by them. "Beyond the Secret Flame" is Emme Ya's debut album, and as many of you might've already noticed from the song titles, it's themed around "Liber AL vel Legis" or "The Book of the Law" by Aleister Crowley.
Occult themes often call for occult music. "The Secret Flame" starts with some waving and eerie electronic ambience and lower, thin droning in the background, both of which sound very minimal but nonetheless intriquing and highly atmospheric. One of the album's core elements is also revealed right up front; a slightly echoed and softened low male voice reads the three chapters from The Book of the Law almost throughout the album, all three in their respective tracks. As the voice has some softening effects on it you often can't tell what it is speaking, and so it mostly serves as an another instrument on the album (unless you're more familiar with the book, naturally). The opening track features some tribal percussions and drums to create some high points and variation to both the composition and it's atmospheres, and they truly add their own mysticism and create a highly pleasing combination with the looping ambience.
The opener stays in a constant form throughout it's lenght, flowing forwards with very little variation, and the same goes for the following two tracks as well. "The Coiled Serpent" consists of even more minimalistic ambience and the tribal percussions have changed to some sparser and more mystical ones, with the main highlights being created by some louder chimes. The track has an even deeper mystical feel than it's predecessor, and lasts equally well through it's lenght despite the repetition and the lack of real variation. The vocals (if you want to call them that) seem to have a bit more room to show their vastness and true character and variation as well, and work surprisingly well as soon as you get accustomed to them.
"The Throne of Power" starts with some more powerful drones, rather akin to a ship's horn. The soundscape is not as easily separated into parts, as it seems to be based on a layer of field recordings or other sounds that are hard to identify, along with the aforementioned drones giving the song power and drive. The layer of droning is denser and more powerful than on the earlier tracks, and it has a more overwhelming, even (to some extent) invasive feel. The distant crackles and what-not make the again simplistic soundscape sound more complex than it really is, and keeps the listener's interest up really well.
Overall the album is really pleasing, but be take heed that it'll pretty much need your fully attention and a loud volume level to function as it's meant to, simply due to it's bare structure and nature. The artist could've given the songs more detail, and the vocals could've been executed in a way that would've made them more interesting on their own.It's a really good droning ritual music album, if you're willing to give it time to comprehend the artist's vision about The Book of the Law. I bet that the artist knew that the album is quite difficult to grasp or understand, but he still remained true to his vision and ideas instead of taking the album to a more easily approachable direction. I respect that. Ritual music, to be enjoyed and explored in solitude.
8½ / 10